The drive in movies by gary soto questions and answers

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the drive in movies by gary soto questions and answers

Q. The story doesn't say but why doesn't Gary just ask his mom to take them to the movies? answer choices. he's worried that his mother is too tired and will say.


I am an English teacher in St. Oliver's Community College, Drogheda, Co. Louth, Ireland. Follow me on Twitter at julesheeney. RSS Feed.

A one-act play in seven scenes, Gary Soto 's Novio Boy is intended for junior high school and high school readers, performers, and audiences. Published by Harcourt in , the play is set in a Mexican American neighborhood in Fresno, California, about two hundred miles north of Los Angeles. Soto suggests that this setting is adaptable to any region, as it is written in somewhat simple and colloquial English mixed with some Spanish. The novio of the work's title means "boyfriend" or "sweetheart" in Spanish. Novio Boy tells the story of ninth grader Rudy's first date with eleventh grader Patricia. The play focuses on his concern about what to say and how to behave during the date, obtaining the money to pay for the date, her anticipation, and his family's responses to this milestone in his social maturation. Mixed in with its treatment of typical teenage concerns are allusions to Chicano culture, referencing food, music, and radio programs.

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Includes link to free PDF version of the text and writing rubric. Answer key included. Editable Word doc. Feedback is always welcomed and appreciated! Students as Lawyers: Criminal Trials Lesson. Persuasive Essay Writing Lesson. Lesson Plan: Poetry Analysis and Creation.

My best friend and I knew that we were going to grow up to be ugly. On a backyard lawnthe summer light failing west of the mulberry tree where the house of the most beautiful girl on our street stoodwe talked about what we could do: shake the second-base dirt from our hair, wash our hands of frog smells and canal water, and learn to smile without showing our crooked teeth. We had to stop spitting when girls were looking and learn not to pile food onto a fork and into a fat cheek already churning hot grub. We were twelve, with lean bodies that were beginning to grow in weird ways. First, our heads got large, but our necks wavered, frail as crisp tulips. The eyes stayed small as well, receding into pencil dots on each side of an unshapely nose that cast remarkable shadows when we turned sideways. My gangly arms nearly touched my kneecaps.

Gary Soto's "The Drive-In Movies" STAAR-formatted questions



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